October 12th

The choir has received my letter, and the feedback is that their decision has not changed. I am looking for the wisdom of Solomon on this one.
Options, as I see it:

1. Find a new theme for the concert and risk them rejecting that repertoire as well, now that they have been empowered to.
   
2. Give all future selection of repertoire over to Glee Club, to source for themselves.
   
3. Invite those who will sing the repertoire to join singers from the other two choirs with whom I work, to form the 80 choir (of the 8 - 80 ensemble)
   
4. Pass on the whole task to one of the other choirs.

The contract is to be signed today for the concert, and it is 4 1/2 months away, so there is time to do any of the above.

I audition the children of the '8' choir during the first week back on the Tuesday and Wednesday, and have the first rehearsal with them on the Friday of that week.

On a much brighter note, I have completed four of the compositions that I plan to write, and they are in the hands of the Hamilton Chorale to be sung at the concerts the weekend of Nov 12/13. They are reasonably simple songs, written for people aged 70 plus to be able to sing in parts. I will get feedback from the Chorale on how they enjoy (or don't) singing them, and send that along with the final editing of the compositions.

Lots going on: a singing student via skype in Melbourne has just joined my studio, and I am running singing workshops for 8 weeks for Waikato University Continuing Education also during the fourth term.

Intergernational concert preparation underway

I met with Suzanne and Kara, the conductors of the Rotokauri Tuis (childrens' choir) on Tuesday, and we mapped out the concert which will be performed on Friday February 26th. Both choirs will sing together for six songs, and then each choir will perform two sets of songs. The Tuis will do one set of songs with their whole choir and another set with a smaller group of the senior singers, who are working on singing in parts.

Yesterday (Thursday October 22nd) I told the Glee Club about the plans for the concert. I taught them the chorus of the Kiwi Kids' Theme song, I gave them the 'When I'm 64' lyrics to work on rewriting. The Tuis will sing the original version of the song, the Glee Club will sing their version of the song. I gave Glee Club the Tui's new words to the ABBA song Honey Honey, which has turned it into a love of the product, very cleverly.

I sent an email to the Garden's Festival organiser about date, time and venue for the concert. It appears that we will have the venue we want, the Pavilion, an inside venue where the Glee Club will be able to sit for most (for some) or all (for some) of the concert. The organiser had envisaged the concert being held outside on a lawn, and that would have required amplification, chairs, etc. Watch this space, I am still thinking about how we might merge our concepts.

I have put a post on the AIRS project, a request for help about how to record this event in relation to the outcomes for both sets of participants for this process. AIRS stands for Advancing Interdisciplinary Research in Singing. It is an exciting concept, but doesn't appear to be very active as yet. I have also joined an Ethnographic research group here in the School of Education, and will be asking them for their learned opinions as well. Furthermore I will be talking to my colleague Professor Peggy Koopman-Boyden who has been a gerontologist for some decades, and picking her brains.

In the meantime, I go next Tuesday to work vocally with the senior singers at Rotokauri (ages 10 & 11) (a whole new way of using senior!!)and start talking with them about the project. I will continue to work with Glee Club, which now has 31 singers!!!