Wonderful Concerts

August 6th and 7th were the latest concert series for the Hamilton Chorale, of whom I am the musical director and conductor. Once again the choir rose to the occasion. Great tone, variety of styles, animated faces, clear words, very entertaining. Our guests were the Mighty River Harmony, the barbershop chorus who are going to compete in Brisbane in September. On Saturday we had the whole chorus, on Sunday what they call a 'large quintet' being 15 singers on the four parts. Entertaining indeed, with an age range of 69 years. However I was able to report that we had an age range of 74 years. Young Sam, who is 10 yrs old had been attending rehearsal with his mother, and when invited to sing along he readily said yes, and was singing the second soprano part with his mother. Ken, one of our Tenors turned '21 for the fourth time' earlier this year, and there are at least four other octogenarians in the choir. I cannot be sure, as singing helps to keep people alert and there may be some who are chronologically older than I think.

For an un-auditioned choir they are exceptional; they work hard, they are very responsive and willing to learn. They bring much pleasure: to each other, to the audiences and to me.

A concert review

I am conductor and musical director of the Hamilton Chorale as I have mentioned before and we did our first 2010 concert series this last weekend.

Virgina Gallagher was invited to review the concert, by the editor of the Raglan website and this is her review:


Review

Hamilton Chorale at Raglan Union Church, Saturday 1st May 2010

A small but enthusiastic crowd gathered at the Union Church on
Saturday 1st May for a concert by the Hamilton Chorale. Entitled
Celtic Weavings, the programme consisted of music with a Celtic theme.
The music was an interesting mix from Ireland, Scotland and Wales,
some of it well known, and other pieces new to the audience.

The opening bracket, under the heading ‘Call to Celebrate’ was bright
introductory music, John Peel and Comin’ Thro’ the Rye were
particularly memorable. In the next bracket ‘In Quiet Moments’ the
tempo was more relaxed and highlighted the choir’s versatility. Then
the audience was invited to participate, and soon all were joining in
with Loch Lomond and Annie Laurie.

The next bracket ‘Lassies and Laddies’ gave the different sections of
the choir a chance to come to the fore. In several numbers for ladies
voices only, the careful blending of three parts was a joy to listen
to. The men particularly enjoyed their solo numbers; in ‘The Star of
the County Down’ they kept up a cracking pace, much to the enjoyment
of the audience. More sing-along with slower numbers My Love is Like
a Red Red Rose and Danny Boy. Once again the audience sang with
gusto, although some of the higher notes were beyond some audience
members!

The final bracket ‘The Old Country Calling’ reminded us that many in
the church that day have Celtic roots, and could relate to the
beautiful music that has become so well known in New Zealand. The
masterful arrangement of ‘I Know Where I’m Going’ was particularly
memorable, and the rousing ‘Molly Malone’ brought the most enjoyable
concert to an end.

Ably assisted by accompanist Elisabeth Murray, the conductor Julie
Jackson-Gough should be very pleased with this concert. She succeeded
in blending the 30 strong choir into a group that was a pleasure to
listen to. The imaginative addition of the ladies’ coloured scarves,
representing Scotland, Ireland and Wales, enhanced the Celtic theme.
It is a pity that more people did not come out in the chilly autumn
weather to hear this capable group of singers. Hopefully, they will
come to Raglan again to perform.

Virginia Gallagher

A special note from one of my Hamilton Chorale singers

Hello Julie
I need to let you know just how much I am enjoying being a new member of The Hamilton Chorale. I have wanted to join for some while, but due to other commitments have been unable to do so until this year. I can't wait to get there each week, then I am so 'high' when I get home I can't sleep. You are teaching me so much & that I am hugely grateful for, as I can then pass on this knowledge to a small group that I help out with at a retirement village. I have enjoyed singing for many years but felt that I was stuck and really not going anywhere, so you can imagine my joy at the wonderful things I am learning at each practice. I just feel thanks to your efforts that my voice is improving. Thank you so much.
Kind regards
Pat Simpson

Project 2

The project that involves setting a choir up at the Ryman Healthcare Edmund Hillary Complex in Auckland is still waiting on an Auckland tutor. The advertisement that I sent for the graduate students at Auckland University to consider got stuck with a faculty member who was on leave. It has now been posted to the graduate student email list and they have until March 20th to respond to me.

In the meantime I am able to put more head-space into project three, which is my Hamilton Chorale, and sort out the May 2nd/3rd concerts in Raglan and Hamilton. They are on a Celtic theme, and we are having a lot of fun working out what some of colloquial words are in the songs. Having resident Scots and Irish helps, also those who go away to find out.

I have an article due on April 1st about the 8 - 80 concert project, so that will keep me busy until March 20th at least. It has made it easier that the writing up is not overlapping with the setting up of project 2.

October 1st

What a busy four weeks it has been for me, with additional classes to teach, and additional admin to see to. The Celebrating Age group did not happen, due to lack of interest. One person turned up the first time, nobody turned up the second time, and one person turned up the third time. It is either the wrong day, or time of day, or perhaps the wrong time of year.

However the Hilda Ross Glee Club is growing by leaps and bounds. I held a 'come and talk to me' meeting to which all of the villa residents were invited. Five members of Glee Club were at the meeting, and they answered questions, while I gave quotes about the researched benefits of singing. One of the delightful pieces of feedback that has occurred is that some people think that they are not good enough now that the Glee Club sound so good. As a result we had six new people join us, and our roll is now 26, with 6 men!!

Alex and Tui and Brian accompanied me as I went to have an interview on Hamilton Community radio. Initially I was going to have 45 minutes, but then it was just over 20 minutes, so the interview with me turned into an interview about this research and the Hilda Ross Glee Club, and went very well according to those who listened. I will try to get a sound file onto this site for you to listen to the interview, if interested. I could put a link to the radio station, but given that I am the last 20+ minutes of a 2-hr recording, I don't think that is practicable.

There has been an interesting comparison for me the last two weeks. With school holidays, sickness, and grandparent responsibilities, I have had a fairly high absency rate at Hamilton Chorale Rehearsals, such that I have more people at Glee Club than I do at Chorale, for now!

American Thanksgiving Concert: Hamilton Chorale

Another concert series has come and gone for the (this concert) 25-voice Hamilton Chorale. It was a demanding programme, but we wowed two audiences with songs from George and Ira Gershwin, and Irving Berlin, culminating in God Bless America. Our soloist, June Dams, who also sang with us last year said that she noticed how much better the choir was , which was a fillip for us all.

The choir had gone through a torrid month leading up to this weekend's concerts, in which a husband of one member, a daughter of another member and a son of husband-and-wife members all passed away. All four choir members did sing in both concerts, and I will be seeking the whole choir's feedback on what singing in the choir has been for them this year, with particular interest in these four responses.

The choir really does act as a family, and everyone plays a part in rehearsals, with setting up the church's seats for the sections, providing me with water to drink, moving the piano and putting it away. Then for concerts, it is seating for the choir on the stage, moving the church's furniture off and on the stage area, and for our Sunday afternoon concert providing and setting up for afternoon tea for choir and audience. I have posted a delightful photograph of two of the choir's senior members, who set up and put away the tables for the afternoon tea, following our Sunday Concert.

Hamilton Chorale data

Having now taken identification from the members of the Chorale, I am excited about this new direction, but also aware that I do not want to view them differently, unless it is helpful to the Chorale to do otherwise.

The median age of the women is 66 and the median age of the men is 69. There are three people over 80, with eight people over 70. Three people have left the choir in the last year, I want to talk to them about what caused them to give up the choir, with my new lens of gerontology, rather than aggrieved conductor.

Now I have a delightful three-group setup

The Hamilton Chorale of fully independent participants
The Hilda Ross Glee Club with residential independent participants
The Hilda Ross Rest Home Singers with dependent singers.

Watch this space!!