Showing posts with label choral singing. Show all posts
Showing posts with label choral singing. Show all posts

Tuesday, November 8, 2011

Tuesday November 8th

My days are filling up.
On Thursday October 27th I started a 7-week singing workshop, through Continuing Education at The University of Waikato, using my old classroom. It is the first workshop I have run since 2005, prior to which I ran them annually. The demand disappeared, but this workshop series came because of requests to work with me, which is pleasing. Now a workshop is being planned for Tauranga, at the beginning of 2012

At the second workshop last week, I had one of those events which I value greatly, because of its effect. One of the women hardly sang. At the end of session, I asked her to stay, she said it wasn't important, I told her it was why I was here, and because she had enrolled in the w'shop it WAS important. Once again, a thoughtless teacher, decades ago told her that she couldn't sing. I showed her what she could do, and gave her the exercise to 'exorcize' that strong memory. The exercise is to sing 'you were wrong, you stole my voice, and now I am taking it back', to any made-up tune. I did this with her, and she sang more and more strongly back to me.

The Hamilton Chorale are enjoying the songs that I have composed which they are singing. Unsolicited comments in Facebook include: "
I really like your compositions for our Hamilton Chorale to sing in these upcoming concerts. I am enjoying practising them at home.", "I am enjoying them too - the tunes keep going round and round in my head when I am not thinking about them!" I played them to my 32-yr-old son and he laughed, said he was surprised at the content, but loved it. Tomorrow night I will ask the choir for permission to video the Sunday performance of the pieces, so that I can post them on Youtube, and then sent the site to my USA contacts.

I have a contact who is going to take my skype singing proposal to the national managers meeting for REAP. Barry was a co-teacher with me at Tauhara College (1985 - 1992), so he can also speak personally about me, and my teaching and musicality.

This week I will finalise all of the music for the 8 - 80 concert for the Hamilton Gardens Arts Festival 2012. I have auditioned, and had the first rehearsal with the children. Today I will finish recording the songs for the '80' singers to have on c.d. to practice, and tomorrow I should receive the disc for the children's songs, and will do the same for them. Today and also tomorrow I want also to sort out who sings what in the combined songs and get that into a score for both of the groups.

When I want a break from that, I will record some backing tracks for my skype students (from last night's teaching) to practice along to :-)

Monday, March 21, 2011

A lovely testimonial

I received this email from a member of the Hamilton Chorale this week.

Julie Hi

I would like to thank you for last week’s choir practice. When I arrived I was just so tired, I had had a hectic week with long hours and, at my age (72 years) I was really exhausted. When I arrived home just after 6.00 pm I did not want to go out again. But, if everyone thought that way, there would be no one there and also, I really enjoy singing.

I did not think I would be able to concentrate properly. When I returned to my car after choir practice, I felt on a high! I could have gone on “singing all night”! Thank you, you encourage us and teach us and make choir practice fun! You have given this choir a really lovely “tone” so that people find us easy to listen to and want to hear more. You have such a variety of songs and atmospheres that it is never boring, as can be when some choir sing the same thing for the whole concert.

When I returned home, I did not need a pill to take away my headache, as the headache had gone. The heavy feeling of tiredness over my eyes had gone and I felt invigorated and full of energy.

Julie - thank you

Yvonne G King


I know that singing can have these effects, but it is delightful when the singers discover it for themselves.

Friday, July 2, 2010

Possibilities are multiplying!

On Thursday morning, July 1st I had a singing session with second-year MMP students (MMP stands for Mixed Media Presentation, and the students have a week on campus three times a year and do the rest of their learning online).

I gave them all one of my new business cards, and talked about what I am planning to do: retirement setting choirs, and singing lessons. The question came up about teaching singing via skype, and that is what I wanted to do about five years ago, but the technology was not up to it, so of course I said yes! From there it led to working with school choirs in country areas, where access to expertise is not possible, so the strands to my work for 2011 are getting more and more varied.

By the end of the weekend, the basics of my new business website will be up and running. To think that the first inkling of potential redundancy only arose a month ago leaves me breathless, so much has happened already!

Monday, June 28, 2010

From Bertram, aged 83

Bertram appears in the photo with Jessie. They are two of the three octegenarians in the Hamilton Chorale.

I am glad to report that you took special effort to convince me that I could sing in tune, and have taken discrete steps to ensure that I had a strong singer next to me. I have the highest regard for your musical and educational abilities, and knowledgeable friends confirm that under your leadership, Hamilton Chorale has improved its tone and musicality.


I have also been approached by the Eastside Singers, (where Bertram is also a member) who are a choir of retirees. They have been, up until now, conducted by one of their own. They want me to consider conducting and training them in 2011. Given the lead-up to that time, I am hoping that they will be able to apply for some funding to pay me a reasonable allowance for this weekly responsibility.

It also raises the prospect of growing the choir considerably, with getting some of the people from the over 60s group (see my post on April 1st 2010) who want to sing, to join. So many possibilities, it is continuing to be exciting!

Monday, May 3, 2010

A concert review

I am conductor and musical director of the Hamilton Chorale as I have mentioned before and we did our first 2010 concert series this last weekend.

Virgina Gallagher was invited to review the concert, by the editor of the Raglan website and this is her review:


Review

Hamilton Chorale at Raglan Union Church, Saturday 1st May 2010

A small but enthusiastic crowd gathered at the Union Church on
Saturday 1st May for a concert by the Hamilton Chorale. Entitled
Celtic Weavings, the programme consisted of music with a Celtic theme.
The music was an interesting mix from Ireland, Scotland and Wales,
some of it well known, and other pieces new to the audience.

The opening bracket, under the heading ‘Call to Celebrate’ was bright
introductory music, John Peel and Comin’ Thro’ the Rye were
particularly memorable. In the next bracket ‘In Quiet Moments’ the
tempo was more relaxed and highlighted the choir’s versatility. Then
the audience was invited to participate, and soon all were joining in
with Loch Lomond and Annie Laurie.

The next bracket ‘Lassies and Laddies’ gave the different sections of
the choir a chance to come to the fore. In several numbers for ladies
voices only, the careful blending of three parts was a joy to listen
to. The men particularly enjoyed their solo numbers; in ‘The Star of
the County Down’ they kept up a cracking pace, much to the enjoyment
of the audience. More sing-along with slower numbers My Love is Like
a Red Red Rose and Danny Boy. Once again the audience sang with
gusto, although some of the higher notes were beyond some audience
members!

The final bracket ‘The Old Country Calling’ reminded us that many in
the church that day have Celtic roots, and could relate to the
beautiful music that has become so well known in New Zealand. The
masterful arrangement of ‘I Know Where I’m Going’ was particularly
memorable, and the rousing ‘Molly Malone’ brought the most enjoyable
concert to an end.

Ably assisted by accompanist Elisabeth Murray, the conductor Julie
Jackson-Gough should be very pleased with this concert. She succeeded
in blending the 30 strong choir into a group that was a pleasure to
listen to. The imaginative addition of the ladies’ coloured scarves,
representing Scotland, Ireland and Wales, enhanced the Celtic theme.
It is a pity that more people did not come out in the chilly autumn
weather to hear this capable group of singers. Hopefully, they will
come to Raglan again to perform.

Virginia Gallagher

Monday, May 11, 2009

young@heart the New Zealand Story

I am probably using this title a bit out of time now, as it is a quite some time since the movie came out. However the Glee Club's journey has not be unlike that choir. I am collecting data all the time on them, having now obtained two video interviews, and planning to video interview all of the participants. I presented this project to colleagues last Friday here, at the University of Waikato, and my presentation engendered a good discussion about the sociological aspects of the research.

A strong message that came through the discussion was that I should be looking at presenting via an ethnological model, rather than a statistical model. I was asked what the prime aim of my research is, and the answer to that question is that I want to see valid, interactive, mutually respectful singing, that has an anticipation that the singing will improve, in as many settings as possible, given the growing evidence that it has such multiple effects for the people involved.

When the Glee Club were recently asked how being involved Glee Club influences their health, they replied:

77F Improved memory, breathing, clarity of diction
82M Improving it with breath control and lung ventilation
84F Helps me get out of the house, talk to other people and not think about myself. It has been a lifesaver for me.
78M An active mind and body does have health benefits
76F Good – helps with breathing, come away feeling great
75F Gives me a new lease of life
87F Its good for me; confidence is returning albeit slowly
69F It has certainly helped my asthma
85F To me it is as good as a tonic
77F The singing helps and improves my speech and my voice
69F Very beneficial – my breathing has improved and deepened since starting singing. I never imagined singing in a choir because of a chronic cough caused by Bronchiestasis which I have suffered from for 64 years.
78F Mentally and good for lungs for breathing
90M Very good.

that is just the tip of the iceberg. This gets more and more exiting the further I go!!!

Friday, May 1, 2009

Agewise Seminar: Social Connectedness for Older People

Yesterday I attended and spoke at the above conference. I was accompanied by Val and Val. There are three 'Val's in the Hilda Ross complex and they all now sing in Glee Club, which is great. I had a class to teach first thing and left half way through the class time to get to the conference. I left them to their own devices, preparing group performance for next Thursday for assessment so they had plenty to do. I collected the Vals from Hilda Ross, and got to the conference in time for the end of morning tea, and we were able to listen to two other presentations before it was my turn. I am pleased that I am technologically adept, and was able to link my own computer into the data display, and play the two video interviews that I could not play at the Bay of Plenty presentation. In addition I was able to include some of the data from my latest survey with the Glee Club; material to do with the effect of participation in Glee Club on health, feeling of wellbeing, and quality of life.

I have got more canny at getting them to fill the surveys out for me, I invited them to my home for lunch and all they had to bring was themselves and their survey completed. This was a delightful event, that happened March 27th and will be repeated. Next time the suggestion was that it would be pot luck and that suits me down to the ground :-)

The responses were once again very positive to my presentation, and each time I present I have added to the research that supports what I am finding. I am still amazed at the strength of the comments of the respondents to the simple act of singing. In discussion with Val and Val as we travelled, and in line with the responses to multiple surveys, I have come to the conclusion as to what a successful tutor in this setting needs to be:
  1. musically able, to play piano, or to have someone to play piano,
  2. to know about singing and how to get people to sing using their voices more effectively, i.e. improving,
  3. to be able to build mutually respectful relationships with the participants
  4. to have high expectations of the participants' capabilities
  5. to know how to have fun, to laugh and be free to laugh often

Friday, March 13, 2009

Retirement VIllages Association Waikato/Bay of Plenty Managers Forum

Harry, his wife Kerry and Elizabeth and I set out for Bayswater Metlifecare last Thursday morning leading to a most interesting and enjoyable day. Because I currently spend little social time with the Glee Club, I know "scraps" about them. This trip with around 1 1/2 hrs driving each way was so informative and so enjoyable. Hearing about Harry's driving escapades, and how he had to get in good with Kerry's Mum so they could get married, such that towards the end of her life, Harry was the one she always remembered, not her own children. Harry and Kerry have their 55th wedding anniversary this week.

There were approximately 30 managers at the meeting, and I presented my findings to them, including many quotes from participants. Technology difficulties meant that I could not play two interviews that I had videoed with two other participants, but the conversation with Harry, Kerry and Elizabeth more than made up for that. I was fascinated to hear their responses to questions. The depth of their enjoyment of the singing programme in some ways surprised me. These are busy people, with many activities in their days, Harry has recently self-published a book about his experiences as a child prisoner of war in Indonesia. Yet both of them and Kerry as a non-participant all said that they start looking forward to the next rehearsal as soon as it is finished. Harry said that if he has to miss rehearsal, something is missing from his week. I is time for me to put together a new survey for the Glee Club and ask some of these questions in a setting where I get full responses. This work gets more and more exciting from every event!

Tuesday, December 16, 2008

Hilda Ross Glee Club c.d.

.. is scheduled to arrive in Hamilton in time for the Town House Luncheon at Hilda Ross on Friday, I feel a launch party coming on!! The Glee Club members live in the town houses and the apartments, and will all be there to receive their own copy as well as buy other copies for friends and family.

We will launch the c.d. with suitable fanfare, I will take my purple trumpet!!!

It is my intention to link some of the sound tracks to my blog so that you can listen to them, also to set up a mechanism whereby you can purchase copies of the c.d., should you choose to, for $10:00

Monday, December 1, 2008

American Thanksgiving Concert: Hamilton Chorale

Another concert series has come and gone for the (this concert) 25-voice Hamilton Chorale. It was a demanding programme, but we wowed two audiences with songs from George and Ira Gershwin, and Irving Berlin, culminating in God Bless America. Our soloist, June Dams, who also sang with us last year said that she noticed how much better the choir was , which was a fillip for us all.

The choir had gone through a torrid month leading up to this weekend's concerts, in which a husband of one member, a daughter of another member and a son of husband-and-wife members all passed away. All four choir members did sing in both concerts, and I will be seeking the whole choir's feedback on what singing in the choir has been for them this year, with particular interest in these four responses.

The choir really does act as a family, and everyone plays a part in rehearsals, with setting up the church's seats for the sections, providing me with water to drink, moving the piano and putting it away. Then for concerts, it is seating for the choir on the stage, moving the church's furniture off and on the stage area, and for our Sunday afternoon concert providing and setting up for afternoon tea for choir and audience. I have posted a delightful photograph of two of the choir's senior members, who set up and put away the tables for the afternoon tea, following our Sunday Concert.

Tuesday, November 4, 2008

Hamilton Chorale data

Having now taken identification from the members of the Chorale, I am excited about this new direction, but also aware that I do not want to view them differently, unless it is helpful to the Chorale to do otherwise.

The median age of the women is 66 and the median age of the men is 69. There are three people over 80, with eight people over 70. Three people have left the choir in the last year, I want to talk to them about what caused them to give up the choir, with my new lens of gerontology, rather than aggrieved conductor.

Now I have a delightful three-group setup

The Hamilton Chorale of fully independent participants
The Hilda Ross Glee Club with residential independent participants
The Hilda Ross Rest Home Singers with dependent singers.

Watch this space!!

Wednesday, October 22, 2008

The Hamilton Chorale joins my research

I have been conductor of the Hamilton Chorale now for nearly two years, a community-based non-auditioned adult choir. In looking at my new direction I examined where this fitted in. In fact there is a good synergy, because many of the choir members are retired, and I know there is at least one 80-yr-old. I think that they have become used to my expectations and it will be interesting to compare and contrast the fully independent Chorale members and the Glee Club members; their motivations, their back stories and what singing in a choir does for them. In addition I want to contact the people who have left the Chorale recently, to hear their story.

Tuesday, October 21, 2008

Group Singing Is Good for You!

According to an article in Medical Hypotheses, “Vibration of the human skull, as produced by loud vocalization, exerts a massaging effect on the brain and facilitates expulsion of metabolic products into the cerebrospinal fluid, leading neurophysicists to hypothesize that vocal vibrations cause a kind of cleaning of the chemical cobwebs out of the head. A process as simple as singing might well make the removal of chemical waste from the brain more efficient.
Medical Hypotheses Vol 25 Issue 1
Mechanical effect of vocalization on human brain and meninges

And according to a recent study by the University of California, Irvine, singing in a choir just might make you healthier. This study, authored by Robert Beck and Thomas Cesario and published in Music Perception, found that Immunoglobulin A, a protein used by the immune system to fight disease, increased 150 percent during rehearsals and 240 percent during performance.: Beck, R. J.; Cesario, T. C.; Yousefi, A.; Enamoto, H..
Music Perception, Fall 2000, Vol. 18 Issue 1,

There certainly is a sense of euphoria that choral singers experience after a particularly inspiring rehearsal or performance. But part of that sensation is due to more than just individual physiology; it derives from the cooperative effort that is at the heart of the choral endeavor. The late great conductor Robert Shaw thought of a chorus as a “community of _expression,” whose meaning “rests upon a common devotion to the composer’s utterance and a mutual respect for the personal dignity of fellow-workers.” Shaw’s associate, Ann Howard Jones enlarged on this idea. Noting that in a chorus the whole is far greater than the sum of its parts, she wrote, “I know of no other activity where access to the most profound artistic works can be made possible and satisfying for the participant who has limited skills as an individual but whose capacity is enlarged by the group.”

In one study, a health educator and music professor teamed up for a study published in England’s Journal of the Royal Society for the Promotion of Health, in which they reported choral singing promoted not just physical health, but offered emotional and spiritual benefits as well. Using their own choir as a basis for their study, Dr. Stephen Clift and Grenville Hancox developed questionnaires to document physical and emotional feelings while singing. Singers reported improved lung capacity, high energy, relieved asthma, better posture, and enhanced feelings of relaxation, mood, and confidence. In a follow-up questionnaire, 89 percent of the singers reported intense happiness while singing, 79 percent felt less stressed, and 75 percent experienced heightened adrenaline and wakefulness.